![]() Depending on Wave Sequence length, there can be more than 1,000 potential modulation targets per Program. Modulation Controllers // Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x Program/Performance Mod Knobs Other Sources // 3x Envelopes, Vector Envelope, 3x LFOs, 2x Mod Processors, 2x Key Track, Step Sequencer Lane, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate/Gate+Damper, Note-On Trigger/Note-On Trigger+Damper, Note Number, Aftertouch/Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs + Destinations // Most parameters can be modulated, including parameters of individual Wave Sequence Steps. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more. Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you’ll always have multiple dimensions of realtime expression. Use the knobs in realtime performance, and also save the results as new sounds. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. All of the basics–filter, envelopes, LFOs, effects–are at your fingertips with dedicated front-panel controls. Exceptionally deep.īursting with knobs and controllers, the wavestate invites you to explore. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities. ![]() The result is organic, ever-changing sounds that respond to your control. Every time the sequence moves forward, the Lanes combine to create the output. Each of the Lanes can have a different number of steps and their own start, end and loop points. Individual Lanes include shapes, gate times and step sequencer values. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The KORG wavestate also incorporates Lanes. Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Each note in a chord can be playing something different! You can modulate each Lane’s start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.Įvery time the sequence moves forward, the individual Lanes are combined to create the output. Also added are new characteristics including shapes, gate times, and step sequencer values. Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. What if they could evolve in organic, unexpected ways, instead of just repeating? This created ear-catching patterns–but the patterns repeated the same way, over and over. There are eight assignable knobs per-program, plus a bank of global Performance assignments (although as all of these share a single bank of eight knobs, it can get a little confusing in the heat of a performance).įor live use, spend some time considering the best way to set these up in order to get quick access to parameters that will help add movement or build tension in your performance.With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. There are multiple playback directions available to users, including sequence randomisation, and the Key Trigger mode allows for sequences to be transposed across the whole keyboard spread.ĭespite being labelled with things like ‘time’ and ‘shape’, Wavestate’s Mod Knobs actually offer incredible flexibility over how they can be set up. ![]() Wavestate’s Setlist features lets users store and sequence up to 64 performances, which are full multitimbral patches complete with Wavesequences, arp patterns, Vector synthesis configurations and master effects - incredibly handy for planning and recalling sounds for a live set!ĭon’t be fooled by the simplistic look of Opsix’s sequencer, it has six note lanes, for polyphonic sequencing with individual velocity gate length for each note, plus six Motion Sequencing lanes for parameter automation. Opsix, meanwhile, features a handy sequencer which can easily be set up to play back pre-programmed riffs, basslines or chord progressions. With Wavestate, the complex Wavesequencing setup can effectively create long, evolving soundscapes that can be triggered by holding down a single note or chord - allowing you to get hands-on with the Mod Knob controllers. For electronic performances, both Opsix and Wavestate can be synced to an incoming MIDI clock, so users can trigger them in a slightly more ‘hands-off’ manner.
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